Revolutionary Artists know that if you have a culture-production platform and you are a radical revolutionary, then your art should be designed to depict the world as you would like it to be, rather than as it is.

Certainly, in my experience from early teens up to the present day, it has always seem to go the other way. That narrative / agenda was pushed partly as a means to denigrate an demean the supposed 'enemy of all humans' and to a great extent, it has tended to work, though not without push-back.

It seems to be in those countries that are deemed 'Western' that this is an issue. For example, the rigid, ethnically-stratified society of Palestine is very different. It seems to be the case that there truly is allowed to exist, a situation in which relatively recent arrivals can stick it to the people who's families go back countless generations: One Rule for Me, Another for Thee seems to be the guiding principle there though.